Volume 8, Issue 1: South Africa

This issue explores how artists, scholars and organizers use hip hop to navigate post-apartheid identity, language and power. Centering women, queer artists and linguistically marginalized voices, it reveals South African hip hop as a political laboratory — where resistance traditions evolve and new theories of Blackness, belonging and Pan-African consciousness are actively forged.

Read More
Volume 7, Issue 2: Street Lit

Street Lit reveals urban fiction as more than popular storytelling — it is a living archive of Black survival, entrepreneurship and cultural power. Featuring voices like Omar Tyree, Aya de León and Ice Mike, the issue traces how hip-hop, feminism and street literature reshape the politics of storytelling.

Read More
Volume 7Guest UserComment
Volume 6, Issue 2: Brazil

Hip-Hop in Brazil: Diaspora, Resistance, and Cultural Power explores Brazilian hip-hop as a powerful site of Afro-Brazilian resistance and cultural production. Brazilian hip-hop is not a copy of U.S. culture — it is a powerful movement rooted in Afro-Brazilian struggle and community organizing. This issue explores how artists and activists use hip-hop to challenge racism, state violence and inequality across Brazil.

Read More
Volume 6Guest UserComment
Volume 6, Issue 1: Who Are We?

What does it mean to inherit hip-hop — and who gets to define its future? Who Are We? explores identity, legacy, and the future of hip-hop studies, examining how hip-hop shapes knowledge, pedagogy, and cultural memory across communities and institutions. Essays, interviews, poetry, and visual art consider how hip-hop functions as both cultural practice and intellectual tradition.

Read More
Volume 6Guest UserComment